Some Tips for Knits

Below are some tools and techniques I’ve used over the years for getting more professional results or just making things easier on myself when sewing with knits.

Design Plus Stabilizer Tapes

These are some of my most-used notions for knits.

I hate using clear elastic. I am not sure if it is my machine or just me, but seems like it always wants to wander off in one direction, with the fabric wanting to go in the other. There’s also the fact that I’ve had issues with the longevity (I have had it fall apart when stretched after a few years in my stash.) The superfine straight tape is 3/8” wide and great for stabilizing shoulder seams. It is very very lightweight and thin, with a bit of give to it. Since it is fused to the fabric before sewing it gives you so much more control. There’s also a superfine bias version, but I find the straight is just more useful.

The Ultra Soft double sided tape is also 3/8” wide and awesome for holding seam allowances in place. You first fuse it with the paper against the iron and fusible against the fabric, then carefully peel off the paper, stick the fabric to it with your fingers, and then fuse it again with your iron. The paper makes a great guide when folding over 3/8” hems, like for the Jalie swim shorts. I’ve also used it for folding over and holding the edges of wrap dress skirts in place before stitching. It works well on both natural and synthetic fabrics and is so lightweight won’t affect the stretch much.

Elmer’s Washable School Glue

When I need to hold something in place without using pins, like a pocket flap or patch pocket, I sometimes use tiny bit of Elmer’s Washable School Glue on the seam allowance. It is cheap, easy to find, and will wash out when you launder your garment. Just make sure to be careful to use a tiny amount because otherwise it will soak through the fabric and make a mess. Sometimes using a paint brush can help control the application.

I’ve also used glue sticks. I find they don’t give quite the precision of the tip of a bottle of glue, but they dry a lot faster.

Press Hem Allowances Before Sewing Seams

Pattern instructions will tell you to press hem allowances in place after sewing the seam. I often press them in place before. I don’t actually stitch the hem yet, I just press up the hem allowance and then proceed with sewing the seam. After sew the seam I will sometimes give a little touch up again to the folded edge with the iron before hemming. I like doing this because it’s often easier and faster to work with a flat piece of fabric instead of turning up, measuring, and pressing it in the round after it’s sewn. Spraying Best Press while turning up and pressing the hem often helps the fold stay crisp.

Hem From the Inside

You do not need a machine with a free arm if you’re hemming small openings, like those on leggings and children’s shirts. I just turn the garment inside out and then work from the inside.

For very tiny openings like the sleeves on baby clothes, turn up the allowance and hem it before stitching the seam. Then take it to your regular sewing machine and tack the seam allowance in place with a straight stitch for about half an inch. They do this all the time with RTW – just check out a bound neckline edge around the shoulder seam sometime.

Taming Knit Edges that Like to Roll

When working with cotton/lycra jerseys and other knits that like to roll, I often use Best Press. Just lightly mist and then apply dry heat with your iron. In addition to helping the edges stay flat it also has the advantage of making sure any pressed edges stay crisp, and also gives a little body for extra stability during cover stitching.

Use a Regular Sewing Machine for Tricky Parts Before Serging

I do this a lot for things that require a lot of precision, like attaching the band to a V neckline at the center front, or making sure the edges stay lined up when sewing a seam that has been hemmed first. I don’t do the entire seam, just the first inch or so of those very specific sections. You can see below how I stitched an inch or so with darker thread outside of the V on my latest Jalie Tina before using the serger. If I had just done it with the serger it would have almost certainly shifted and I wouldn’t have gotten a nicely centered and crisp V shape. I just use a regular length stitch and not a long basting stitch because sometimes (like below) I don’t quite hit the seam allowance accurately during serging.

Awls

Awls are great to have in the sewing room. I use mine all the time for feeding a strip of binding into a binding attachment, pulling the threads to the front before cutting when ending a coverstitch in the round, or manipulating fabric under a serger presser foot. I also find them useful for things like lining up the center front seam of a V neckline band with the center front of the shirt because they’re sturdier and easier to hold than a pin, but will still poke through the fabric enough so you can see what you’re doing.

Compensating Feet

I find I get a much better finish when I sew down neckline bands with a 1/8” compensating foot on my Juki than I do with a guide foot on my regular machine. Compensating feet have a spring and one section of the foot higher than the other, so I find it stays in place better than a guide foot.

The only downside is that I’m not sure compensating feet are available for domestic machines.

Clear Feet and the Adjustable Seam Guide

I’ve been significantly happier with the results from my Janome Coverpro 2000CPX since switching from the standard metal to clear foot with guide and using the adjustable seam guide. If I remember correctly the clear foot with the guide was about the same price as the regular clear foot without the guide. The guide is removable so there’s really no advantage to the regular clear foot. Just leave off the guide during ordinary hemming and put it back on when you want the guide for something like topstitching a sweatshirt neck band in place.

6 thoughts on “Some Tips for Knits

  1. (I tried to leave this comment on your second sourcing post but couldn’t. The reference below is to that post.)

    Thanks to this post, I was inspired to give Jumping June a try.

    I really appreciate that your posts include where you sourced the various “doodads”. Finding all the necessary stuff is sometimes the worst part of making. I knew I could go back to your hoodie posts and find where you’d acquired drawstring, etc. Everything I need is now headed my way. Thanks!

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  2. Excellent tips Anne. I’ll have to investigate your stay tape. Years ago I found a narrow Vilene strip, with a line of stitching down it, that you fuse to the shoulder seam/neckline/wherever that works much the same way but I have to get it in the UK (https://www.macculloch-wallis.co.uk/p/88919/vlieseline-tapes-waistbanding/mw/fusible-bias-stay-tape-12mm) if I want the roll as opposed to the expensive by-the-metre stuff otherwise found online. I love it but it would be nice to have a more accessible option when this runs out. The one that surprised me was the compensating foot: Yours in the third mention I’ve read of this in the space of a few days, lol, so something is telling me to pay attention! I have an industrial straight stitch and a few different feet for it but the compensating foot is one I’ll have to get. After reading your comments, I googled them to see how they work and was impressed. I have two questions after my research and reading -1. Do you leave the compensating foot on all the time or just put it on for topstitiching?2. I have the edge guide feet for my machine. Do you know what the difference is between that foot and the compensating in terms of use? Obviously the compensating has that hinged lower lip but what does it do differently than the guide feet or how do it perform better?Gayle

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    1. I leave the standard scant 1/4” foot on all the time and only use the compensating foot for topstitching. I find the compensating feet work best when you have a sizable difference between the area you’re stitching and the other layer, like when you’re topstitching the neck band in place on a knit top. The guide edge foot is better when you’re topstitching something like a thin cotton shirting where the layers are very thin. So compensating foot is better for medium or thicker layers, especially around curves and seam intersections, because that spring helps the foot maintain its position along the edge (especially in uneven sections). So with a guide edge foot when you are sewing over an uneven section part of the guide is going to be in the air at some point. With the compensating foot the spring allows it to adjust so it always stays against the edge. The guide edge feet are better with straight edges and/or thinner fabrics. I have a set of both. You can find them on Amazon pretty cheap (I think mine are the CKPSMS brand). I got an entire set of 16 feet for under $30. The genuine Juki brand ones are much much more expensive, like $60+ for just one foot.

      I do NOT recommend getting a tractor foot. You have to have it positioned just so anytime you lower the presser foot or else you will break a needle. Serious pain and doesn’t seem to make much of a difference on my Juki either, at least for the stuff I sew.

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